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LIVE SOUND REINFORCEMENT: AN INTRO
Thursday, October 19, 2006

People attend concerts to enjoy music and watch their favourite performer but the work involved behind the scenes is a well-thought out process involving so many people. There is intensive planning done, setup itself takes a long time and then the soundcheck, which is the finale for the setup. You normally would find a stage crew which takes care of backline gear (heard of roadies?), system technicians who setup and tune systems, rigging crew- the folks who operate hydraulics to stack up line arrays or the speakers. The soundcheck is for the performers to get familiar with the stage sound/environment and their monitor feeds and the overall sound in the venue, this is also the time where the FOH engineer gets the overall balance right.

If you are new to sound reinforcement and are still not sure what exactly is sound reinforcement, well it can be defined as a process of reinforcing the sound on stage to a larger audience, a process which involves power amplifiers and loudspeakers primarily. Even your home system can be considered as a sound reinforcing system but in this case you are only amplifying your CD through those hi-fi speakers. In the case of live sound reinforcement, the systems involved, like a mixing console or mixer, (which you probably would have heard of or seen), power amplifiers (those huge stacks if you've ever wandered back stage), and those speakers either placed in clusters besides the stage or more commonly today- line arrays- are all reinforcing the band's sound or artist's for the audience.

 
A lot has happened in the past decade, the major factor being the incorporation of digital gear in live sound reinforcement. About five years ago many live sound companies were still relying on analog systems, which meant lots of copper all over the place (remember the multi-core?), well it doesn't mean that copper is no longer used, optical systems have just made setup and breakdown much more easier with the benefits of digital technology. Also, optical systems networked through which broadcast or mobile units could trap into and take a feed. Imagine running mulitple copper snakes to these various units?

There are professional companies that are offering live sound solutions for big events; running shows with intelligent lights, line arrays, digital consoles and recording solutions. The people involved too are trained professionals especially for speaker management systems, system design experts, etc. The presence of a computer in controlling sound reinforcement components is getting more popular, line array- aligning and dispersion patterns are controlled by these various software, digital speaker management systems that offer an array of critical outboard gear, all in one unit.


 pic source: gtaust.com

Becasue there is a need for 'quality hearing', there is also a rapid rise in companies offering even sleeker and excellent systems. House of worship is a big area where these manufacturers are targetting, event management companies that cater to established and popular music bands is another vast area which brings in a lot of money.

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Other Posts
  ON THE ROAD Wednesday, October 10, 2007
AGENT FEEDBACK Monday, May 14, 2007
  GOT PINK NOISE, CAN TUNE! Monday, February 12, 2007
  LEARN FROM THE LEARNED! Saturday, February 03, 2007
  GETTING STARTED Wednesday, November 15, 2006
  SOUND AT RECITAL HALL@WISMA ICOM Tuesday, November 14, 2006


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ICOM installed a CA6 active PA system supplied by KME of Germany in the Recital Hall.